Norihiko Fujisawa
Sculpture/3D Modeling
We modern people live in an age where we make clear distinctions between things: black or white, truth or lie, original or imitation. In a society that is forced to divide itself into two, Norihiko Fujisawa's work presents the "discomfort" that arises from the gray zone that is neither of these in the form of three-dimensional sculpture.
His creative philosophy since his student days, "between figure and art", clearly expresses this. He makes ribbons out of iron and robots out of wood. His works, which seem familiar and nostalgic, give us a sense of relief. However, there are many "discomforts" he feels in a rapidly changing and bifurcated world. Comical and skeptical, he continues to express a worldview that is also linked to the ancient Japanese "appearance" using a variety of materials.
We modern people live in an age where we clearly distinguish between things. Black or white, lie or truth, original or imitation. In a society that is forced to divide into two, Norihiko Fujisawa's work implies the " incompatibility feel " that arises from the gray zone that is neither of these to modern Japanese society in the form of 3D modeling.
His creative philosophy since his student days, "between figures and art," clearly expresses this. He makes ribbons out of iron and robots out of wood. His works, which seem familiar and nostalgic, give us feelings of relief. However, within them lie the many " incompatibility feel " he feels in a world that is divided into two and rapidly changing. Comical and skeptical. He continues to express a worldview that is also connected to the ancient Japanese " likening " using a variety of materials.
Our modern life is a dawning era of differentiation of things. Black or white, falsehood or truth, original image or model.
Norihiko Fujisa's works present modern Japanese society in a plastic form, a society in which one and two people are under pressure, and a sense of "disadvantage" that is felt in the middle of a gray area.
When I was a student, I started my career with a creative idea of ``the time between the characters and the movement'' until I reached a clear surface. Manufacturer of iron production equipment and metal head production equipment.
When I see a Buddha in a village, I feel sorry for the work, and I appreciate it as much as I can.
However, there is a slight "feeling of dissatisfaction" that is present in this area and is felt by other people all over the world for a minute or two at a time.
It's funny and Reito is suspected. The various materials used in this study are similar to the ancient Japanese ``higu'' concept of the world.
